Texts for the Stage (): Heiner Müller, Carl Weber: Books. well as innovative works exploring themes of devotion and sexuality (like Quartet) . Quartet- heiner muller. Uploaded by alejandra_elias_1. Copyright: Attribution Non-Commercial (BY-NC). Download as PDF, TXT or read online from Scribd. That’s Heiner Müller on Artaud, offering, as Carl Weber suggests in his introduction to Müller’s Quartet, a lens for his own art. One of the most.

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And see Andrew Haydon in the G Orange marked it as to-read Aug 19, His “enigmatic, fragmentary pieces” are a significant contribution to postmodern drama and heinner theatre.

Muller’s definitely a great writer for the theatre, in my book anyway, even if what he points towards is hard to achieve. After a while, the unvarying rhythms begin to damp down the language. Matylda added it Aug 02, Max’ rated it did not like it Feb 29, The impact of any one production of the play varies considerably with the interpretive choices of the artists involved in it.

Review: Quartet ~ theatre notes

With Andrew Gray and Felicity Steel. I guess I think Artaud’s influence – which is certainly visible in Muller – exists in Muller’s desire to make theatre an arena for extreme states of consciousness, which is clear in both Titus and Quartet. Please help improve this article by adding citations to reliable sources. To see what wuartet friends thought of this book, please sign up.


Want to Read saving…. Cyrilchist marked it as to-read May 11, Artists very often use influence as Hopkins did, they “admire and do hiner. He certainly wrote dialogue What do you think?

Vedran Husremovic added it Nov 21, He wrested literature from the hands of the police, the theatre from the hands of medicine.

Yoana Kolakova marked it as to-read Feb 01, The references used may be made clearer with a different or consistent style of citation quwrtet footnoting. I’ve been putting together an Op Published by Henschelverlag Kunst und Gesellschaft. Want to Read Currently Reading Read.

Certainly, it’s some text. As you enter the space, the first thing you notice is Grant Cooper’s breath-taking and ingenious design: It’s essentially a play of long monologues which highlight the existential isolation of each character, layered with literary allusions that create a darkly scintillating surface. Lists with This Book.

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Platonovby Anton Chekhov, adapted and directed by Simon Stone. It can safely be said that any serious staging will heavily emphasize one of the author’s abiding concerns: Muller is the kind of writer who takes mulper an influence to argue hard with it – he was at once Brecht’s greatest fan and interpreter and his most unforgiving critic.

Newer Post Older Post Home. Emanuelle Jubinville rated it it was ok Nov 12, This article has multiple issues. Baal, pagan Lord of Heaven, god of rain and fertility. Or me, for that matter.

Renan Virginio marked it as to-read Aug 10, Although the roles are usually played by man and woman, other productions have chosen to cast same-sex couples. Nikki rated it really liked it May 21, The two conspire to seduce Merteuil’s virginal niece, Volange, and the virtuous wife Madame de Tourvel, breaking and abusing them for their amusement.


Ontroerend Goed, Forced Entertainment Interview: The only other time I’ve seen Quartet was in an eye-popping production directed by Ariette Taylor in the early 90s. The effect is hieratic and stylised, and perhaps a little over-aestheticised, although Hseih’s nervy take on Haydn gives a quarter barbed edge to the performance. I saw Wax Factory’s production, called Quartet v2.

Quartet (Müller)

Merteuile and Valmont play out their fatal games, tearing each other to pieces with their language but seldom broaching the formal stylisation of performance. You might see more of Artaud in a text like Hamletmachine. Hi Gilligan – what an interesting question! Though thinking about it, Atlas’s production of Quartet certainly aimed at that quality. I’m looking forward to Medea during the festival. From Wikipedia, the free encyclopedia.

A new performance criticism website from Alison Croggon and Robert Reid. I haven’t read Hamletmachine though. Alaaminawi added it Mulller 23, Did Artaud hate dialogue, or just actors? There are no discussion topics on this book yet.